did not break away from his prior band's trademark hypnotic minimalism; instead, they perfected it. Drawing on the continued influence of
staked out a common ground between minimalism and lush symphonics -- while powered by simple, repetitious motifs, their songs simultaneously blossomed into rich, shimmering sonic panoramas inspired by the majestic studio wizardry of
. Such seeming contradictions were essential to the group's alchemy: while the infamous
tag of "taking drugs to make music to take drugs to" remained a cornerstone of their craft, at the same time
's very name acknowledged the existence of other forces, further reflected in their heavy debt to gospel and soul music as well as an affinity for mantras and devotional hymns.
Although
Spiritualized fully emerged after the acrimonious breakup of
Spacemen 3, in truth the band's roots extended back to the band's final LP, 1990's Recurring. A
Spacemen 3 album in name only, Recurring was split evenly between independently recorded work from
Pierce and estranged partner
Pete "Sonic Boom" Kember; as a result, while
Kember's side presaged his eventual work with
Spectrum,
Pierce's half, recorded with most of the musicians who would later comprise
Spiritualized (including guitarist
Mark Refoy, bassist
Willie B. Carruthers, and drummer
Jon Mattock), predated the orchestral drones that became the band's hallmark. The first true
Spiritualized single, a dramatic reading of
the Troggs' "Anyway That You Want Me," was the final nail in the coffin -- reportedly,
Kember was so incensed by the
Spacemen 3 logo which appeared on the disc's jacket that he disbanded the group for good.
In 1991,
Spiritualized returned with a string of EPs --
Feel So Sad,
Run/I Want You, and
Smile/Sway -- before their long-awaited debut,
Lazer Guided Melodies, finally appeared the following year. The masterful, blissed-out result of
Pierce's obsessive studio fine-tuning and endless remixing, the album was promoted by the band's slot on the high-profile Rollercoaster tour, where they appeared with
the Jesus and Mary Chain and
Curve. An excellent limited-edition live document,
Fucked Up Inside, followed in 1993, trailed by another EP, Electric Mainline, later in the year.
In 1995,
Spiritualized -- now a trio consisting of
Pierce, keyboardist/guitarist
Kate Radley, and bassist
Sean Cook -- issued
Pure Phase, a heady, dense production which boasted separate mixes from each stereo channel. With 1997's
Ladies and Gentlemen We Are Floating in Space,
Pierce deliberately jettisoned many of the band's usual points of departure, including drones, tremolos, and phase tones; recorded with new drummer
Damon Reece, it featured a cameo appearance from legendary New Orleans pianist
Dr. John on one track, while Memphis studio legend
Jim Dickinson appeared on another. Other guests included
the Balanescu Quartet (also featured on
Pure Phase),
the London Community Gospel Choir, and
Spring Heel Jack. The two-disc
Royal Albert Hall October 10 1997 live album followed in late 1998.
The following year,
Pierce gutted
Spiritualized's lineup, firing
Cook,
Reece, and
Mike Mooney, who formed
Lupine Howl soon after their dismissal;
Radley apparently left soon after she married
Verve frontman and solo artist
Richard Ashcroft. Only saxophonist
Ray Dickaty and sometime keyboardist
Thighpaulsandra (aka
Tim Lewis) remained in the band.
Pierce began writing and recording material for the next
Spiritualized album at
George Martin's Air Studios and recruited percussionist
Tom Edwards, bassist
Martin Shallards,
Echoboy drummer
Kev Bales, and guitarist
Dogan, from
Julian Cope's band, for the sessions. The new album,
Let It Come Down, which featured an even lusher, more involved sound than
Ladies and Gentlemen, was released in mid-2001. The follow-up, 2003's Amazing Grace, was more of a back-to-basics record.
Songs in A and E arrived in spring 2008. In 2010, the band embarked on a tour performing Ladies and Gentlemen ... in its entirety, writing new songs influenced by that album -- as well as by the Beach Boys and Peter Brötzmann -- while they were on the road.
Pierce and company laid the songs down at studios in Los Angeles, Wales and Reykjavik over the course of two years; the results, Sweet Heart Sweet Light, were released in March 2012.
–
Jason Ankeny, Rovi